Monday 16 May 2016

End of Module Evaluation


 

Leeds College of Art
BA (Hons) ILLUSTRATION
Level
04
OUIL402 Personal & Professional Practice 1
Credits
20
End of Module Self Evaluation

 

NAME
Ella Ray Barnes
 

 

1.  What learning have you inherited through this module and how has it impacted on your own understanding of professional practice? Consider yourself as a student at University as much as an illustrator
I think it has helped me to understand the professional side of illustration, and allowed me to see how I’d fit into this industry after my degree. It doesn’t feel a foreign as it did before I started the course. This module has also helped me to be more organised, and manage my time and work load a lot better.
 
2. What approaches/ types of research have you found most valuable over this module?
Why did they have such an impact?
I think I’ve found books and exhibition visits the most useful. Going out and finding something in a book or seeing a new exhibition has been so much more rewarding I think, because it makes me feel like I’m actually doing something productive with my time without ‘working’ as such. I also think going to exhibitions I didn’t know anything about was really good, sometimes they were awful to be fair but other times I was really pleasantly surprised and even came across something new that I liked.
 
3. In what way has PPP informed the way you work in other modules and your illustration practice as a whole?
During my other modules I think because of PPP I’m more aware of how I’d make a career from the work I make, rather than just making it to just get a grade.  
 
 
4. What weaknesses can you identify in your PPP submission and how will you address this in the future?
Although I’ve looked at a vast amount of practitioners, I think I could’ve utilised my Pinterest account more than I did, I think this would’ve helped me to see more of what is current. I think I could’ve engaged with other artists a little more, even if this was just in class. But I think this would really benefit me, and get me and get me out of my comfort zone more by talking to people I wouldn’t necessarily talk to.
 
5. What communities of practice and professional contexts do you intend to investigate further as you approach level 5? Why do they appeal to you?
·         I’ve recently had some of my work chosen to be shown in a publication about rising creatives in the north east, so I’d really like to branch out like this a lot more.
·         I’d like to be more involved with the SOLO Arts group in Sunderland a lot more, and help curate exhibitions, as well as meeting like-minded individuals.
·         I want to continue going to as many exhibitions as I can, even if I don’t know much about them, because this will give me the opportunity to engage with other artists.
·         I want to continue to use the studio a lot more in my free time, just because I find working in a creative environment very rewarding and enjoyable.
·         I’d like to try and set up an Etsy shop over the summer, and put my work out there a little more, rather being so hesitant about it.
 
 
 
 
 
 
6.How would you grade yourself on the following areas:
(please indicate using an ‘x’) 
 
5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor
 
1
2
3
4
5
Attendance
 
 
 
/
 
Punctuality
 
 
 
/
 
Motivation
 
 
 
/
 
Commitment
 
 
 
/
 
Quantity of work produced
 
 
/
 
 
Quality of work produced
 
 
/
 
 
Contribution to the group
 
 
/
 
 
The evaluation of your work is an important part of the assessment criteria and represents a percentage of the overall grade. It is essential that you give yourself enough time to complete your written evaluation fully and with appropriate depth and level of self-reflection. If you have any questions relating to the self-evaluation process speak to a member of staff as soon as possible.

 

 

A copy of your end of module self evaluation should be posted to your studio practice blog. This should be the last post before the submission of work and will provide the starting point for the assessment process. Post a copy of your evaluation to your PPP blog as evidence of your own on going evaluation.

 

Notes

Sunday 15 May 2016

Studio Brief 3: Creative Strategy 1

http://issuu.com/ellabarnes9/docs/ppp_presentation.pptx

Studio Brief 2: The Illustrated Self

Written Diagram...


Roughs...
Development...
 
  • Tried out different media
  • Really like the aesthetic of cute paper, particularly the torn edges.
  • Different colour pallet options
  • I want to go for a Wes Anderson-esque colour pallet, to represent the films I enjoy and which influence me creatively.

  • Gouache wasn't quite as nice as the paper.
 
Final Outcome...
 
 
So I went for quite an abstract approach to the 'Illustrated Self' brief. I wanted to included all of the things that represent me, and even more so, the things that influence me as a practitioner.
So I've include my flute and a movie camera projection. Coffee beans, because I spend a big portion of my time in coffee shops and have met like minded people through doing this at home. Autumn leaves, because autumn is my favourite season, but also because my whole wardrobe is full of autumn colours! The pink circle and black rings, represent the logo of group in Sunderland that organise 'SOLO' exhibitions each month, which I've volunteered for in the past, and attend the exhibitions regularly. The brown, pink and green rings with black lines represent my record collection, and show the importance of music to me. An 'M' to represent my cat (who I adore, tabby cats have distinct markings (an M on the forehead, and a swirl on their side), so that's what that is all about. And finally the blue rectangles represent all the lovely books I buy but probably don't really need.
 
What am I happy with...?
  • I like the colour pallet I chose, I think I've also managed to balance the colours quite well which I found difficult at first.
  • I think I've represented myself well in the image, I think people that know me would be able to understand it straight away.
 
What did I find difficult...?
  • I found it difficult trying to analyse myself and make whatever that was, visual.
  • It was quite difficult to simplify some of the things I wanted to have included in the piece, I was quite conscience about trying not to make it look too overcrowded.
 
What would I do differently?
  • Although I was trying to channel my love for Wes Anderson films through the colour pallet, I think it could have worked with maybe less colours.
  • I could maybe have played around with the composition a little more before settling on my final one.   

Seo Kim 'Cat Person'

 
OH MY GOD. THIS BOOK. TOTAL FAVE.

'Cat Person'...proper hilarious. It's ridiculous how much I relate to parts of it.
 The illustrations in it are adorable, so child like and so honest!



Edward Gorey "The Gashlycrumb Tinies"

 
Super good, but super dark!


The illustrations in this book really suit the theme, pretty dark but also really well thought out and intricate. I loved that it rhymed throughout. Seems like quite a simple idea, but just so brilliantly executed. Well nice. 



The WES ANDERSON Collection

 
THIS BOOK IS SO COOOOOL
 
Loved reading bits of this. Some of my favourite films were directed by Wes Anderson so it was really interesting to hear how they were made and what went on during the making of.
I found it really helpful when it comes to choosing the composition of my own images, and it made me a lot more aware of the colour pallets I chose.


 

Phillipa Rice 'Soppy'

 
Super lovely, and really honest book. The colours are AMAZING, I actually wondered how she manages to balance the images throughout the whole book so well, since she only uses two colours and a stock, she makes it look so effortless.



Maurice Sendak 'Where the Wild Things Are"

 
I can't believe how old this book is! The illustrations are beautiful, and clearly timeless. I also really enjoyed the story, like a total child.
 

Craig Thompson 'Blankets'

I read Blankets by Craig Thompson, and totally loved it. I couldn't put it down.
 
This moment in the book stuck with me the most, it was just so poignant. Especially the last frame where you just see a tiny part of where the mural once was. Amazing.